Michael Clayton : Constructing the Perfect Antagonist
In his 2007 Oscar-nominated screenplay, Michael Clayton, Tony Gilroy provides a blueprint for a perfect protagonist/antagonist relationship.
Jonathan Bailey
How to Incorporate Multiple Themes into Your Screenplay: Lessons from Diablo Cody's Juno
‘A story can’t tolerate more than one theme’ - Dara Marks, Inside Story : The Power of the Transformational Arc. While I agree, Diablo Cody’s Juno seems to break this rule.
Parasite: Weave Theme into every Aspect of your Screenplay
The Academy Award-winning film Parasite, written by Bong Joon-ho and Han Jin-won, is a masterclass in weaving theme effectively. But how does it do this?
